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dc.contributor.authorWillimek, Danielade
dc.contributor.authorWillimek, Berndde
dc.date.accessioned2022-04-12T07:47:16Z
dc.date.available2022-04-12T07:47:16Z
dc.date.issued2013de
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/78575
dc.description.abstract"Music and Emotions - Research on the Theory of Musical Equilibration" is the English edition of the German publication "Musik und Emotionen - Studien zur Strebetendenz-Theorie" by Daniela and Bernd Willimek; it was translated by Laura Russell. The first part of the book addresses the main premise of the Theory. It states that in contrast to previous hypotheses, music does not directly describe emotions: instead, it evokes processes of the will which the listener identifies with. It is not until these processes are experienced that music appears to take on an emotional character. The Theory of Musical Equilibration applies this principle as it constructs a system which outlines and explains the emotional nature of musical harmonies. Numerous examples from the repertoire of classical music are used to illustrate how composers selected particular harmonic structures to communicate different emotions. The second part of the book focuses on demonstrating the emotional nature of musical harmonies. The Basic Test and the Rocky Test are presented, both of which deal with this topic, and the tests complement one another. The Basic Test asks its subjects to link terms to specific harmonies; the Rocky Text plays different kinds of background music during emotional scenes from fairy tales. Over 2000 volunteers on four continents have taken part in the Rocky Test, including members of the Viennese Boys' Choir and the Regensburg Cathedral Choir. Currently the tests are undergoing a review to determine their suitability for use in music therapy.de
dc.languageende
dc.subject.ddcPsychologiede
dc.subject.ddcPsychologyen
dc.subject.ddcPhilosophiede
dc.subject.ddcPhilosophyen
dc.subject.otherMusic; Psychology of Music; Music theory; Emotionsde
dc.titleMusic and Emotions - Research on the Theory of Musical Equilibration (die Strebetendenz-Theorie)de
dc.description.reviewbegutachtetde
dc.description.reviewrevieweden
dc.publisher.countryDEUde
dc.subject.classozangewandte Psychologiede
dc.subject.classozApplied Psychologyen
dc.subject.classozsonstige Geisteswissenschaftende
dc.subject.classozOther Fields of Humanitiesen
dc.identifier.urnurn:nbn:de:0168-ssoar-78575-0
dc.rights.licenceCreative Commons - Namensnennung 1.0de
dc.rights.licenceCreative Commons - Attribution 1.0en
internal.statusformal und inhaltlich fertig erschlossende
dc.type.stockmonographde
dc.type.documentMonographiede
dc.type.documentmonographen
internal.identifier.classoz10709
internal.identifier.classoz39900
internal.identifier.document20
internal.identifier.ddc150
internal.identifier.ddc100
dc.identifier.doihttps://doi.org/10.5281/zenodo.6421210de
dc.description.pubstatusPostprintde
dc.description.pubstatusPostprinten
internal.identifier.licence13
internal.identifier.pubstatus2
internal.identifier.review2
internal.pdf.wellformedtrue
internal.pdf.encryptedfalse


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