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dc.contributor.authorMani, Manimangaide
dc.date.accessioned2018-04-27T07:14:44Z
dc.date.available2018-04-27T07:14:44Z
dc.date.issued2015de
dc.identifier.issn2300-2697de
dc.identifier.urihttp://www.scipress.com/ILSHS.56.74.pdf
dc.identifier.urihttps://www.ssoar.info/ssoar/handle/document/57001
dc.description.abstractSlavery in America began when Africans were brought in as slaves to the North American Colony of Jamestown Virginia around 1619. Slavery in America lasted for almost four hundred years though the trade was legally abolished by Britain in March 1807 (Walvin 163). Although the trade ended, slavery itself continued to survive. Phillis Wheatley (1753-1784) is considered the first prominent Black writer in the United States to publish a book of imaginative writing. She is also the first to start the African-American literary tradition, as well as the African-American women literary tradition. Her work, which was derivative, was published in the collection, Poems on Various Subjects (1773) and in various magazines. Her choice of words was mostly biblical where it helped to camouflage her view on slavery. This paper intends to show that all of Wheatley's poems actually carried the theme of freedom. She has intelligently used this theme to articulate her desires in a subtle manner. On the surface, the poems are all preaching the greatness of Christianity to the readers and urging them to find solace through religion. She shows her racial awareness and resistance through various themes of the poems that she wrote. This paper highlights Wheatley's disapproval of slavery through her praise for religion, political commentaries, supporting elegies and death and finally through her escapism into an imaginary world.en
dc.languageende
dc.subject.ddcSocial problems and servicesen
dc.subject.ddcSociology & anthropologyen
dc.subject.ddcSoziale Probleme und Sozialdienstede
dc.subject.ddcSoziologie, Anthropologiede
dc.titleRacial awareness in Phillis Wheatley's selected poemsde
dc.description.reviewbegutachtet (peer reviewed)de
dc.description.reviewpeer revieweden
dc.source.journalInternational Letters of Social and Humanistic Sciences
dc.publisher.countryCHE
dc.source.issue56de
dc.subject.classozKultursoziologie, Kunstsoziologie, Literatursoziologiede
dc.subject.classozCultural Sociology, Sociology of Art, Sociology of Literatureen
dc.subject.classozsoziale Problemede
dc.subject.classozSocial Problemsen
dc.subject.thesozLiteraturde
dc.subject.thesozBewusstseinde
dc.subject.thesozescapismen
dc.subject.thesozslaveryen
dc.subject.thesozFreiheitde
dc.subject.thesozRassismusde
dc.subject.thesozpoetryen
dc.subject.thesozSklavereide
dc.subject.thesozUSAde
dc.subject.thesozfreedomen
dc.subject.thesozliteratureen
dc.subject.thesozDichtungde
dc.subject.thesozconsciousnessen
dc.subject.thesozEskapismusde
dc.subject.thesozUnited States of Americaen
dc.subject.thesozracismen
dc.rights.licenceCreative Commons - Attribution 4.0en
dc.rights.licenceCreative Commons - Namensnennung 4.0de
internal.statusformal und inhaltlich fertig erschlossende
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internal.identifier.thesoz10041013
internal.identifier.thesoz10035797
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dc.type.stockarticlede
dc.type.documentjournal articleen
dc.type.documentZeitschriftenartikelde
dc.source.pageinfo74-79de
internal.identifier.classoz20500
internal.identifier.classoz10216
internal.identifier.journal1120
internal.identifier.document32
internal.identifier.ddc360
internal.identifier.ddc301
dc.identifier.doihttps://doi.org/10.18052/www.scipress.com/ILSHS.56.74de
dc.description.pubstatusPublished Versionen
dc.description.pubstatusVeröffentlichungsversionde
internal.identifier.licence16
internal.identifier.pubstatus1
internal.identifier.review1
internal.dda.referencexml-database-41@@9
internal.check.abstractlanguageharmonizerCERTAIN
internal.check.languageharmonizerCERTAIN_RETAINED


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