Export für Ihre Literaturverwaltung

Übernahme per Copy & Paste
Bibtex-Export
Endnote-Export

       

Weiterempfehlen

Bookmark and Share


The End of the Television Archive as We Know It? The National Archive as an Agent of Historical Knowledge in the Convergence Era

[Zeitschriftenartikel]

Hagedoorn, Berber; Agterberg, Bas

fulltextDownloadVolltext herunterladen

(externe Quelle)

Zitationshinweis

Bitte beziehen Sie sich beim Zitieren dieses Dokumentes immer auf folgenden Persistent Identifier (PID):http://dx.doi.org/10.17645/mac.v4i3.595

Weitere Angaben:
Abstract Professionals in the television industry are working towards a certain future - rather than end - for the medium based on multi-platform storytelling, as well as multiple screens, distribution channels and streaming platforms. They do so rooted in institutional frameworks where traditional conceptualizations of television still persist. In this context, we reflect on the role of the national television archive as an agent of historical knowledge in the convergence era. Contextualisation and infrastructure function as important preconditions for users of archives to find their way through the enormous amounts of audio-visual material. Specifically, we consider the case of the Netherlands Institute for Sound and Vision, taking a critical stance towards the archive's practices of contextualisation and preservation of audio-visual footage in the convergence era. To do so, this article considers the impact of online circulation, contextualisation and preservation of audio-visual materials in relation to, first, how media policy complicates the re-use of material, and second, the archive's use by television professionals and media researchers. This article reflects on the possibilities for and benefits of systematic archiving, developments in web archiving, and accessibility of production and contextual documentation of public broadcasters in the Netherlands. We do so based on an analysis of internal documentation, best practices of archive-based history programmes and their related cross-media practices, as well as media policy documentation. We consider how audio-visual archives should deal with the shift towards multi-platform productions, and argue for both a more systematic archiving of production and contextual documentation in the Netherlands, and for media researchers who draw upon archival resources to show a greater awareness of an archive's history. In the digital age, even more people are part of the archive's processes of selection and aggregation, affecting how the past is preserved through audio-visual images. (author's abstract)
Thesaurusschlagwörter television; audiovisual media; mass media; archives; documentation; documentation system; information brokerage; source of information; visual material; digitalization; technological change; media policy; broadcaster; Netherlands
Klassifikation Rundfunk, Telekommunikation; Information und Dokumentation, Bibliotheken, Archive
Freie Schlagwörter Medienarchiv
Sprache Dokument Englisch
Publikationsjahr 2016
Seitenangabe S. 162-175
Zeitschriftentitel Media and Communication, 4 (2016) 3
Heftthema (Not Yet) The End of Television
ISSN 2183-2439
Status Veröffentlichungsversion; begutachtet (peer reviewed)
Lizenz Creative Commons - Namensnennung
top