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L'opera di Pier Paolo Pasolini tra denuncia e mitizzazione

Pier Paolo Pasolini’s Work between Denunciation and Mythicising

Giancarlo, Nicoli


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Abstract Pier Paolo Pasolini was one of the most controversial Italian authors of the second half of the 20th century. A very particular character in the cultural and literary Italian world, he played an important and critical part in a society tending to a total homologation. Pier Paolo Pasolini spread a radical censure against the consumers’ culture and the social homologation. However, in his literary and cinematographic work, beside a hard realism by which he presented his cultural denunciation, it’s evident – perhaps in a contradictory way – an attempt to mythicising the “lumpenproletariat” that represented, in his opinion, the innocence and the cultural virginity that the neo-capitalistic culture was suppressing.
Thesaurusschlagwörter consumption; culture; denunciation; realism; society; Italy; proletariat; capitalism
Klassifikation Kultursoziologie, Kunstsoziologie, Literatursoziologie
Freie Schlagwörter homologation; "lumpenproletariat"; mythicising
Sprache Dokument Französisch
Publikationsjahr 2013
Seitenangabe S. 106-110
Zeitschriftentitel Studii Europene (2013) 2
ISSN 2345-1041
Status Veröffentlichungsversion; begutachtet (peer reviewed)
Lizenz Deposit Licence - Keine Weiterverbreitung, keine Bearbeitung