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Do espaço e tempo musical – teoria científica e prática artística na vanguarda do pós-guerra
Musical time and space - scientific theory and artistic practice in postwar avant-garde
[journal article]
Martingo, Ângelo
(54 KByte)
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Please use the following Persistent Identifier (PID) to cite this document:http://nbn-resolving.de/urn:nbn:de:0168-ssoar-256949
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| Abstract | The early 20th century has witnessed major transformations in both scientific and musical domains. In particular, relativity has shown space and time to have physical reality (in contrast to a priori conditions of objects), and the hierarchical structure of tonality was abandoned in favor of progressively more systematic methods of composition evolving from twelve-tone music. By singling out the migration of the scientific understanding of space and time to musical terrain, as legitimization and metaphor for some theoretical proposals of integral serialism, a parallel is drawn between the two fields which shows the entwinement of scientific output and artistic theory and practice in post-war avant-garde. |
| Classification | Other Media; Other Fields of Humanities |
| Free Keywords | musical time and space |
| Document language | Portugese |
| Publication Year | 2010 |
| Page/Pages | p. 1-10 |
| Journal | European Review of Artistic Studies, 1 (2010) 1 |
| Status | Published Version; reviewed |
| Licence | Creative Commons - Attribution-Noncommercial-No Derivative Works |
| Document Type | journal article |