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@article{ Hagen2006,
 title = {Spectacle, architecture and place at the Nuremberg Party Rallies: projecting                a Nazi vision of past, present and future},
 author = {Hagen, Joshua and Ostergren, Robert},
 journal = {Cultural Geographies},
 number = {2},
 pages = {157-181},
 volume = {13},
 year = {2006},
 doi = {https://doi.org/10.1191/1474474006eu355oa},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-232730},
 abstract = {Nuremberg, perhaps more than any other place, stands central among iconic images of                Nazi Germany. The Nazi regime went to great lengths to inscribe its basic tenets                into Nuremberg's urban landscape. While many are already familiar with the                role Nuremberg played as the site of the annual Nazi Party Rallies, few realize that                the Nazi building programme in Nuremberg placed great emphasis on redesigning the                city's historical centre in addition to developing the extensive rally                grounds on the city's edge. This article explores the architectural form,                performative function and motivating ideologies associated with these extensive                building programmes in Nuremberg and, rather than seeing them as two separate                projects, highlights the intimate connections between the construction of the rally                grounds on the city's edge and the concurrent redesign of the                city's historical centre. Although seemingly irreconcilable in terms of                style and scale, these efforts to build and rebuild in Nuremberg were actually seen                as complementing elements in the regime's programme to create and project                images of historical greatness, current political legitimacy and promises of future grandeur.},
}