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Sophie Calle’s art of following and seduction

[Zeitschriftenartikel]

Hand, Janet

Zitationshinweis

Bitte beziehen Sie sich beim Zitieren dieses Dokumentes immer auf folgenden Persistent Identifier (PID):http://nbn-resolving.de/urn:nbn:de:0168-ssoar-232545

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Abstract This paper considers a number of artworks by contemporary French artist Sophie Calle. The focus is on a number of these that have a ‘public’ aspect. Through Calle’s work, idioms of following, documenting, seduction and love are discussed, and artistic and representational dichotomies: documentation and action are critiqued. The essay contextualizes Calle’s art through its dynamic relationships with conceptual art generally and particularly work that involves following as a performance strategy. The possibility of love’s fabrication as a dramatic means of critical art practice and analytical writing are foregrounded through encounters with Jean Baudrillard’s writings on seduction and on Calle.
Sprache Dokument Englisch
Publikationsjahr 2005
Seitenangabe S. 463-484
Zeitschriftentitel Cultural Geographies, 12 (2005) 4
DOI http://dx.doi.org/10.1191/1474474005eu344oa
Status Postprint; begutachtet (peer reviewed)
Lizenz PEER Licence Agreement (applicable only to documents from PEER project)
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