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@article{ Lossau2005,
 title = {The body, the gaze and the theorist: remarks on a strategic distinction},
 author = {Lossau, Julia},
 journal = {Cultural Geographies},
 number = {1},
 pages = {59-76},
 volume = {12},
 year = {2005},
 doi = {https://doi.org/10.1191/1474474005eu314oa},
 urn = {https://nbn-resolving.org/urn:nbn:de:0168-ssoar-232288},
 abstract = {While emotions have become a relevant, even fashionable topic in Anglo-American                geography in recent years, German-speaking scholars are more reluctant to take on                board the lessons of emotional and sensual perception. This reluctance became                especially obvious in 2001, when the German-speaking realm witnessed an unusually                fierce debate over the value of the aesthetic for the discipline’s system                of thought. While the protagonists of emotional and aesthetic thinking celebrated an                increasing significance of the ‘softer’ and more bodily aspects                of knowledge, the antagonists criticized what they regard as a return to the                traditional paradigm of Landschaftsgeographie and its conservative                ideology. While fully sympathetic to the critique of an allegedly aesthetic                ‘geomantic geography’, this paper demonstrates that considering                questions of aesthetics does not necessarily imply a revitalization of ancient                paradigms, but can lead instead to a challenging of formerly taken-for-granted                epistemological foundations. To achieve this goal, this paper summarizes the German                debate, highlighting the antagonists’ distinction between a cognitive and                scientific realm, on the one hand, and an aesthetic, pre-scientific or everyday                realm, on the other. The deconstruction of this distinction leads to a more complex                notion of the relations between aesthetic and cognitive spheres, or between the body                and the gaze. The acknowledgement of this complexity can, in turn, be regarded as a                point of departure for ways of thinking between the body and the gaze. Broadening                the perspective towards such an in-between point of view does not only reveal                certain absences within the dominant approaches to German-speaking geography, but                provides a critical appraisal of some lines of argument within the Anglo-American                preoccupation with the emotions.},
}