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World music and the search for difference


Haynes, Jo


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Abstract World music has been immersed in a series of complex ethical, political and aesthetic debates since its emergence as a new musical category in the 1980s. These debates have been fuelled by competing perspectives that portray world music as either an exemplar of progressive cosmopolitan politics that foster cultural hybridity or as reinforcing fixed and unitary conceptions of difference through an essentializing representation of cultures.
Freie Schlagwörter cosmopolitanism; cultural intermediaries; Englishness; ethnicity; hybridity; race;
Sprache Dokument Englisch
Publikationsjahr 2005
Seitenangabe S. 365-385
Zeitschriftentitel Ethnicities, 5 (2005) 3
Status Postprint; begutachtet (peer reviewed)
Lizenz PEER Licence Agreement (applicable only to documents from PEER project)